Roy Perkins was inducted into the armed service on August 21, 1918. He received his boot training at Camp Fremont in California, then was sent to New York where they remained in camp about one month before they shipped out for active duty and headed for France.
They were on the ocean only a day or two when, on November 11, a wireless message reached their ship informing them that an armistice had been signed - the Great War was over!
As it says in Roy's life story, "they turned back, a shipload of disappointed kids."
They landed at Camp Lee, Virginia, where they remained until spring. While at Camp Lee, Roy was one of the soldiers who gathered for a photo called The Living Uncle Sam.
There are 19,000 soldiers forming this image of Uncle Sam - Roy is standing in the white collar. His original picture hung in their home throughout his life - he and Lillian were very proud of it, and it has always been one of our family treasures.
I got curious about this photo - wouldn't something like this be well-known?
So I did what any researcher with my skill and training (none) would do...I Googled it!
And this is what I found...
Arthur Mole was an English born photographer and commercial artist who became famous for his series of "living photographs" made during World War I. For these photographs, Mole and his partner, John Thomas, used tens of thousands of soldiers, reservists, and nurses - and arranged them in various patriotic symbols.
From the ground, the soldiers' formations looked meaningless. But from the 80 foot high viewing tower where Mole stood, you could see his intricately arranged artistic shapes and portraits.
The blog Dark Roasted Blend has a great article called "People as Pixels in Monumental Art" that tells about these photographs
In that article, Avi Abrams tells how Mole would stand on his viewing tower and shout into a megaphone or use a long pole with a white flag to arrange the tens of thousands of soldiers into position. He had to figure out the exact number of soldiers needed for each pattern, and every project took many weeks of meticulous preparation.
Mole and Thomas visited many military camps throughout the country, creating these wonderful works of art. They donated all their income from this project to the families of the returning soldiers and to the government's efforts to rebuild their lives.
The most well-known of Mole's photographs was the Living Portrait of Woodrow Wilson. For this photo, he used 21,000 troops at Camp Sherman in Chillicothe, Ohio, in 1918.
Do you have an ancestor who was part of this project? Maybe one of these photos is among your family treasures!
You can read more about this project here.
And you can see more images at the
Library of Congress gallery, not copyrighted.
Courtesy of Dark Roasted Blend, Chicago Historical Society, and Library of Congress.
JoLyn, this story brought me to tears! Thank you for sharing it. My grandparents were Germans in this country and worked in the sugar beet fields here in Colorado--not from war camps, but much of hte conditions were the same. Their whole family of 6 lived in a hay loft of a family's barn (4 kids under 8). I've always said too that "you can't go wrong by doing right". Wonderful story, JoLyn.
JoLyn, that was a great story! It shows such great insight into how most people feel about war. I, too, heard the saying, "Two wrongs don't make a right," all my life from my mother and grandmother.
JoLyn, I was there and followed Dad around that day. It's a long time ago - I was 14 at the time. I well remember those men, especially the young man not much older than me. Dad and I were with them much of the day. There were no guards or such; they were just left in the farmers care, and I don't remember any words of caution or such from either Dad or Mother.
They seemed to be good men. They treated each other kindly, responded with respect to Dad when he instructed them in what they were to do, and were very respectful to Mother.
They ate with us at our dining room table. Mother loved to cook meals for large groups and the food was delicious - a full course fried chicken dinner. I killed and prepared the chickens for her. That was my job for Sunday dinner each week, as well. And I believe Walene, my sister 4 years older than me, was there helping and serving and such.
It was an experience we all remembered and talked about often. We were all very pleased and thankful for our parents that day, and we loved to relate the story to anyone who would listen.
I too have often wished that we had maintained contact somehow after they went home.
Thanks very much for this blog post. You've left me with a flood of pleasant memories.
I loved reading this. Such good people. I remember her telling this story and she seemed to feel so good about what they did that day.
How wonderful to have such fine grandparents for role models. And how lucky they were to have children and grandchildren who will never forget them and their good deeds. Great post!
Thanks for sharing this JoLyn, a wonderful story and a good reminder of how to treat people no matter where they are or where they come from.
JoLyn-loved this post! The part about the young boy crying-made me tear up. To know he was so grateful for the food that reminded him of home is just so precious and touching. Your grandparents sound like 2 amazing people. I have used the "what would Papaw do?" thought process in my own life-and it always makes me do the right thing no matter how hard or awkward it seemd.